Poèmes are wayfarers crossing borders between language and music. What had mostly been called Lied/Song before, has often been seen as poems in the past 200 years: Richard Wagner gave his Wesendonck-Liedern the titel Five Poems for Female Voice and Piano and Francis Poulenc composed around 30 Poèmes to be sung and accompanied musically. Just as with Lied, which also exists without words (Mendelssohn-Bartholdy), a Poème does not necessarily have to be based on a text. Alexander Scriabin, for example, composed 20 Poèmes for piano solo at the beginning of the last century. Francis Poulenc, the Janus-headed French composer, is difficult to grasp it is impossible to peg a label on him. Yet, he has always remained stylistically faithful in his adherence to tonality, the empasis on melodic elements, the refined simplicity of texture and his effort for clarity and comprehensibilty true to his motto: There is also room for new music , that does not mind applying the chords of other people.
Tracklist:
1. Le travail du peintre, FP 161 (Arr. for Cello & Piano): No. 1, Pablo Picasso (02:19)
2. Le travail du peintre, FP 161 (Arr. for Cello & Piano): No. 2, Marc Chagall (01:14)
3. Le travail du peintre, FP 161 (Arr. for Cello & Piano): No. 3, Georges Braque (01:38)
4. Le travail du peintre, FP 161 (Arr. for Cello & Piano): No. 4, Juan Gris (02:00)
5. Le travail du peintre, FP 161 (Arr. for Cello & Piano): No. 5, Paul Klee (00:54)
6. Le travail du peintre, FP 161 (Arr. for Cello & Piano): No. 6, Joan Miró (01:55)
7. Le travail du peintre, FP 161 (Arr. for Cello & Piano): No. 7, Jacques Villon (02:21)
8. Cello Sonata, FP 143: II. Cavatine (06:56)
9. Sérénade pour petit orchestre (Arr. M. Gendron for Piano & Cello) (02:44)
10. Les demoiselles de la nuit: Nocturne (Arr. M. Gendron for Piano & Cello) (02:39)
11. 7 Frühe Lieder: No. 3, Die Nachtigall (Arr. for Cello & Piano) (02:29)
12. Chansons gaillardes, FP 42: No. 8, Sérénade (Arr. M. Gendron for Piano & Cello) (02:09)
13. 14 Romances, Op. 34: No. 14, Vocalise (Arr. for Cello & Piano) (06:23)
14. 5 Gedichte für eine Frauenstimme, WWV 91 (Arr. K. Kämper for Cello & Piano): No. 1, Der Engel (03:13)
15. 5 Gedichte für eine Frauenstimme, WWV 91 (Arr. K. Kämper for Cello & Piano): No. 2, Stehe still! (04:10)
16. 5 Gedichte für eine Frauenstimme, WWV 91 (Arr. K. Kämper for Cello & Piano): No. 3, Im Treibhaus (04:09)
17. 5 Gedichte für eine Frauenstimme, WWV 91 (Arr. K. Kämper for Cello & Piano): No. 4, Schmerzen (02:22)
18. 5 Gedichte für eine Frauenstimme, WWV 91 (Arr. K. Kämper for Cello & Piano): No. 5, Träume (03:58)
19. Cello Sonata No. 2 in F Major, Op. 99: IV. Allegro molto (05:06)
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FILE: 01 – Eva-Maria May & Klaus Kämper – Poulenc- Le Travail du peintre- Pablo Picasso.flac
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